sivaji ganesan granddaughter sathyalakshmi

SIVAJI GANESAN GRANDDAUGHTER SATHYALAKSHMI MOVIE

Of the eight movies of Kamal listed here,'Kaaki Chattai' was extraordinary in theme because it literally showed for the first time a youngster's passion for the police uniform so as to achieve a distinct position in honestly eradicating crime.A similar passion for the police service was forcefully pictured by Dharani in his Dil,though the hero could achieve his aim only at the end of the movie. Later in the differently conceived police stories like 'Kuruthippunal' directed by P.C.Sriram and Gautham Menon's 'Vettaiyadu Vilaiyadu' we saw Kamalahasan as an agent,witness and victim of new modes of torture exhibited as sequences of departmental enquiries on the one hand and terrorists' brutality on the other.The last two movies mentioned here, were overloaded with crude forms of violence perpetrated on individuals and society.These two high quality films with their prefixed standard of presentation definitely deserved consideration for awards, but were meant only for a selective audience and they can not be said to have created a mass appeal as the other conventional police stories like Vetrivizha and Kaakkichattai did.

SIVAJI GANESAN GRANDDAUGHTER SATHYALAKSHMI MOVIE

Kamalahasan has got into the police uniform in his own unique style in films like 'Soora Samharam' 'VetriVizha', 'Kaaki Chattai' and for a dare devil brief show in his home production film 'Aboorva Sagodharargal'.'Sattam' the other movie in which Kamal performed as a cop was more focused on friendship than on police activities. Rajinikanth again appeared as a police officer in Balu Mahendra's Un Kannil Neervazhindal and in Bharatiraja's Kodi Parakkudhu.

Following MGR,Jai Shankar was found the fittest hero to take on police uniform in a couple of Modern Thatres films and the Sathya Movie release 'Kannipen'.Sathya Movies came out with another brilliant but brief presentation of a police officer Alex Pandian played with style and sheen by the superstar and that memorable movie with a fine flash back was Moonru Mugam. Of these except En Kadamai all the other movies were great hits and Kavalkaaran in particular became an exceptional police story because the suspense element was effectively preserved till the end.It included a lot of fiery stunt scenes including the initial boxing scene.MGR's 'Kavalkaran' became the first dynamic police story in Tamil.Īs decades advanced, there were more number of cop stories one outshining the other. It was the Modern Theatres' film production unit that seriously attempted at cop stories like 'Kaithi Kannaayiram' 'Valaavanukku Vallavan' and 'Vallavan Oruvan'.The advent of an action hero like MGR increased the scope for cop stories because Tamil Film industry came upon a physically able hero to don the role of a police officer that required a stout body and fighting credentials.MGR was an impressive police officer in films like Thai Sollai Thattathe, Deivathai En Kadamai and Kavalkaran. Apart from family feuds and local rivalry,concerted moves on committing crimes for the sake of personal benefits were far too less.Besides, in the absence of advanced technology human brain's capacity for crime was also restricted.Perhaps that was why the film makers focused more on family stories rather than trying to present films on criminality,detective intricacies and vigorous law enforcement. Owing to its inherent attributes,a film on a cop story can hardly deviate from the action genre and it has to be conservative in the choice of actors to play lead roles so that what happens on the screen is believed to be a realistic manifestation of events in life.ĭuring the early days of Tamil Cinema police stories were less common because individual or group crimes were much less in a society that was striving to hold traditional values intact. The nature of crimes and the suspense element contributing to the action segment of a movie automatically contribute to wider reception if the presentation is fresh with speed and tempo ruling the show. Among the themes chosen for Tamil films,police stories have always remained a talking point because it is one of the most interesting topics for discussion and representation, like romance and family sentiment.Moreover,most of the police stories have to centre around varieties of human crimes including those perpetuated by some of the bad elements with in the department itself.

Sivaji ganesan granddaughter sathyalakshmi